Call Time: Creative Development of a new Musical
I’ve recently completed the first phase of creative development for a new musical with the working title ‘Call Time’. A subset of compositions in the original repertoire I’ve created with […]
I’ve recently completed the first phase of creative development for a new musical with the working title ‘Call Time’. A subset of compositions in the original repertoire I’ve created with […]
Here I chat with Sean Foran about how he came up with these compositions and why he’s releasing it now.
his is about making a new Tyrone and Lesley show that combines screen and song onstage, using a mysterious box of vintage slides as concert visuals.
of my plays (Gate 38, set at an airport at the end of the world, which contains a lot of music) and wanted to explore ideas she’d discovered there in a mini thesis of her own, in one of her final pieces of high school assessment for Drama. Here, I answer Evelyn’s questions about Composed theatre as best I can.
Notes on the Final Rehearsals and Season of The Holidays, Queensland Theatre, Nov 2020
This is a companion piece to the podcast about creative development – a pair of Sox. It will only be of interest if you make creative things with other people. […]
This is something you can listen to, read through or both – press play to hear. In November 2019 I led a creative development for a new show for children […]
With the play opening in July (around six months from the time of writing) the show is in an intermediate stage, at least from a the position of the writer. […]
I’ve been working on a creative development for a new show, – SOX – which combines looped music, performance, puppetry, projection and participation. I borrowed a ukulele from a friend […]